Own work

     Day three's work.  I spent about an hour before the subject before continuing to work on it back home.  Still not happy with it.  I may leave it a couple of days before resuming work.

Own work

     Day two of my mixed media piece depicting the porch at the Red Hall, Bourne.  Not quite sure how its going....

Own work: The Rustiche of Sebastiano Serlio XXIIII

     I thought I'd share with you, dear reader, a couple of things: one I've just finished on Monday and another one I started yesterday afternoon.  The former is another in my sequence taken from Serlio's 'Extraordinario Libro di Architettura', the second is mixed media drawing of the porch at the Red Hall in Bourne.

The Red Hall, Bourne, Lincolnshire

     The Red Hall in Bourne dates from the early years of the 17th century.  As with the Hall at the near-by village of Dowsby the Red Hall has parallels with designs found in the album of John Thorpe (1565-1655?), a surveyor in the Office of Works.  Thorpe's father was a master mason (he worked at Kirby Hall, Northants); his son has been credited with designing not only the Red Hall and Dowsby Hall, but Carlton House, Condover Hall, Longford Castle, Holland House and (in part) Audley End and Rushton Hall.  The Hall has also been erroneously linked with the Gunpowder Plot, and there are stories of tunnels leading from various buildings in the town to the hall.

     Oddly the hall had another life as the ticket office, and Station Master's house, of Bourne Station. It was rescued from demolition in the 1960s after the station was closed in 1959. (There were lines north to Sleaford, east to King's Lynn and Norwich, south west to Essendine on the main line, and west to Leicester.)  The architects of the restoration were Bond & Read.  It is still possible to detect, after four decades, what they did - look for the changes in the colour of the bricks.  The Hall is administered by Bourne United Charities, and is now used for wedding receptions, exhibitions, and the like.  Unfortunately the planned formal garden thta was planned was not undertaken and now the Hall, which apart from the entrance façade is perhaps a little gaunt, stands a bit forlorn in a sea of mown grass.

     The entrance facade: the two windows on the ground floor on either side of the porch date from the 1960s restoration replacing wooden bay windows, but as you can see retained the bay window on the side elevation (it lights the council chamber).  The builders however inserted the transom in the right window upside down!

       The porch - the best feature of the Hall. A lovely design and a contrast to the brickwork.

     The inner door to the porch - a small example of 'Gothic Survival'