Showing posts with label Follies. Show all posts
Showing posts with label Follies. Show all posts

Wednesday, 31 January 2018

Own work: Another Collage

     The second of my recent experiments with collage.:  ink, watercolour and wax pastel background, 'homemade' marbled paper, news print and magazine photos, watercolour paper (trees).




Monday, 29 January 2018

Own work: Collage

     I've been experimenting with collage again in the last few weeks, using news print to suggest masonry.  Not entirely sure that the resulting image has been entirely successful....



Monday, 4 September 2017

Own work: Collage

     Spurred on by the work of three artists I really admire, John Piper, Mark Hearld and Ed Kluz I've recently returned to the medium of collage, exploring the 'folly in the wood' of an early watercolour and that haunts my sketchbooks.  I'm quite happy with the result.




Wednesday, 5 April 2017

Own work

A new departure for me as this is the first large scale watercolour I've done of something from my imagination - the folly is my own design.  Not sure how successful it is, but I think in some respects its a step forward in my watercolour technique.


Monday, 11 February 2013

'Follies'


     My brother lent me this book on Saturday.  Entitled 'Follies' it is one of a series of guides produced for the motorist in the sixties, by 'National Benzole'.  Do they still have petrol stations?  Perhaps they were issued in competition to the famous 'Shell Guides' - who knows?  In any case 'Follies' was first published in 1963, edited by Sir Hugh Casson, and researched, written and illustrated by Paul Sharp, and published for National Benzole by Chatto and Windus.  Just the right size, perhaps, to nestle happily next to the tin of travel sweets in the glove compartment...




       The illustrations alternate between line and colour.  I think the latter are more successful.  As you can see they have a lithographic quality that is rather attractive.  I particularily like the narrow colour palette. They also show the influence of John Piper, which for me is seldom a bad thing.  (In a the notes at the end of the book - first mention of the artist at all, poor chap - it states that 'the colour drawings were worked out as auto-lithographs.')

     As I type this post I am listening to 'The Late Paul Barnes Show', broadcast originally late Saturday night/early Sunday morning.  (Good old i-player)  It's one of the best, if somewhat eccentric, jazz programmes on British radio, and local radio too.  I recommended it.