Apologies, for the version of this article I posted earlier, for some unknown reason an previous draft was published ,and not the finished article. Mea culpa.
I want to go back now to the Tyneside of the early 1970s and one of the locations used in the film 'Get Carter', the Modernist St Cuthbert's Village, Gateshead. (I really can't show you the scene in question, not simply because of any reasons of copyright.) It serves as a prime example of the sort of urban re-development that took in the first three decades after the end of WWII in Britain's major cities, as local and national government tried to solve the housing crisis. It was miles away, figuratively and physically, from the 'New House Book'.
What was produced, however, was a sort of simulacrum, a stand-in for an actual village, like one of those cream substitutes so beloved of food manufacturers Post-War. Grey and hulking. It had neither church nor green, nor school. Facilities were planned but they were late off the starting block and arrived after the residents. There was no traditional urbanism. It was a sort of enclosed community, introverted and not wholly integrated in the warp and weft of the community that surrounded it. A sort of ghetto.
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1987 View of St. Cuthbert's Court and six-storey blocks
The University of Edinburgh Tower Block Project
1987 View of St. Cuthbert's Village
The University of Edinburgh Tower Block Project
However there were problems almost immediately - flats were damp and roofs leaked, and it was difficult to heat the flats. The project limped on for some 25 years, waxing in problems both structural and social, before it was demolished. Its fate matched that of another council estate of the period, the nearby Clasper Village.


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