Own work: the Methodist Chapel, Bourne

     I finished this an hour ago.  It's taken two weeks and three attempts to produce something I'm vaguely satisfied with; mainly I think caused by the evenness of the building and texture.  I more readily respond to the picturesque, the textured, bricolage. The usual mixed media, and, like my Baptist Chapel of a month ago, a rather Piper-esque painting.  The chapel itself is the work of the nineteenth century Bourne architect Thomas Pilkington, who was responsible for the Town Hall in Market Deeping which this blog visited in Jan 2017. Here  A cold, grey looking day it was too, when the sky and stone of the buildings around me were almost the same colour.

Market Deeping

   St Guthlac's proud tower looks south down Church Street - towards the Market Place and the stone bridge over the river Welland. This is the very southern edge of Lincolnshire. The street is broad with wide grass verges, and is lined with mostly stone, mostly 18th century, houses.  None are particularly outstanding but all contribute to a satisfying whole - think orchestral players not soloists.  It is all very pleasant, having a quality that is somewhere between the villagey and the urban.

   However Deeping still suffers visually from the period when the A15 thundered through. In fact, like Bourne just a few miles north, Market Deeping feels as though it is place to pass through rather than a destination, which, I think, is a shame.  In the same manner Deeping suffers from Lincolnshire's great and abiding sin of utilitarianism. It looks timeless but has suffered a lot from Modernity: in the late 19th/early 20th century The Old Wake Hall, a medieval manor house just north of the church was demolished; in WWII the village pond was filled in; Halfleet that leads north from the church has been badly filled-in with suburban housing.
   The Market Place - roughly triangular, runs E-W parallel with the river, and is lined with grander buildings, some of them quite urban in scale.  The rather charming Town Hall is by Thomas Pilkington of Bourne and dates from 1835; the alms houses in Church Street are by Edward Browning (we've encountered him before) and date from 1877.